THE WORMS THAT SAVED THE WORLD is an illustrated children’s book about a rebellious group of earthworms who fight to save their home from a luxury golf course that takes over their headland. Written by Kevin Doyle and illustrated by Spark Deeley, the book introduces us to Connie and her friends as they band together to save their community and their home. About 1000 people marched through Dublin this afternoon as part of the international day of action in defence of science. The March For Science is an international initiative to stand up for science and evidence in the face of an alarming trend toward discrediting scientific consensus and restricting scientific discovery.
The first edition of the new magazine from the Workers Solidarity Movement, Common Threads.
Just because Disney characters look cute doesn't mean Disney films are inoffensive. In fact, they should be recognised as a powerful propaganda weapon, meant to inculcate neoliberal ideology in the earliest years of life. Thus, by virtue of self-defense, the authors of this article, who work in the industry, will not be bothered to avoid spoilers.
Disney’s Moana is set in Hawaii. Moana, the daughter of the Island’s chief, is meant to become the first woman to rule. But the island faces ecological imbalances which threaten the survival of the islanders and lead Moana on an adventure that she will share with a demi god named Maui.
If the title of Disney’s feature is the name of its main female character, one wouldn’t go so far as to say that Moana is the central character of the story. Indeed, as soon as Maui appears on the screen, a shift of focus occurs and Moana becomes no more than Maui’s side-kick. This is neatly illustrated by the memorable “go save the world” addressed by Moana to Maui as he is about to face Te Ka the lava demon. A closer look at Maui’s character can help us understand why this failed attempt at creating a strong heroine might have happened.
What may have been the largest squat in Europe, at Grangegorman in Dublin, was recently evicted for the second time. A major hardship for the 30 people living there but one that was rapidly improved on when many of them moved a kilometre down the road and occupied a long abandoned prison.
The Debtors Prison on Halston street was built in 1794 and actually lies between Halston Street and Green Street. The ‘U’ shaped 3 storey building is built of granite and limestone and was built as a luxury prison for the wealthy who had run up gambling debts. There were 33 such rooms / cells which were rented either furnished or unfurnished. If you weren’t rich you were thrown into the basement, Dublin at the time had 5 debtors prison and this one alone could accommodate 100.
Due to a small group of sexist whingers, the beautiful Repeal the 8th mural by Maser at Project Arts in Dublin has been removed.
Over 200 letters of support were sent to the centre thanking them for their support of the campaign to Repeal the 8th Amendment of the Constitution, which equates the life of a foetus to that of the mother and sees that anyone who has an abortion in Ireland will spend 14 years in jail.
Dublin City Council claimed the mural was in violation of the Planning and Development Acts and that the mural changes the tone of the street and impacts on the area. If they think a bit of street art is bad they’d want to take a look at how denying bodily autonomy to half the population and treating them like criminals impacts upon people.
To all of Ireland’s regime media - just what exactly is your problem with striking Luas workers?
The Sunday Independent hasn't changed one bit since William Martin Murphy used it to vilify Jim Larkin and the locked out workers of 1913. These days, the anti-working class rag, now owned by Denis O'Brien's Independent News and Media group, uses it's influence to attack anti-water charge protesters.
Today's front page couldn't be topped for sensationalism, "Attack on democracy" screams the headline. Yesteryear, Jim Larkin was "Looking for Trouble". Both headlines legitimise state violence against protesters. Both headlines present opponents of the state and big business as a danger to society.
The real attack on democracy however, is the implementation of a water charge that no government has a mandate to introduce; It is the ripping up of streets to install water meters against the wishes of communities; It is the use of state police and private security to threaten, intimidate and assault protesters; and it is the control of the means of mass communication by a small group of super wealthy individuals.
We examine how the media determines and conditions the way that people think. When faced with broad opposition, we scrutinise how those in power rally behind the banners of no-change in order to keep things the way they are. We also see how they are assisted by the media in this exercise with the ultimate aim of maintaining power, privilege and control of our society.

Can you remember the last time you saw real story being broken in the media or printed press? When I was a young fellow I naively thought that I’d like to work as a journalist. You know those secret meetings with whistleblowers in subterranean car parks, all intrigue and mystery, digging for the truth. I envisioned myself building up a picture of the connections on a cork board, and stripping away at the official story to reveal the truth. I was chasing a dream. That world doesn’t exist and appears to have flourished only for the briefest of moments, a long time ago.

But as Wilde points out, a reading of history clearly shows that it has been disobedience, rebellion, and heresy, which have driven progress over the millennia. It seems almost too obvious to say, because the absence of resistance will obviously lead to nothing changing for the better.
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