Workers Solidarity Movement

A question. If depression is the inability to construct a future, does depression not appear very like the world’s prevailing mood or zeitgeist right now?  As I write, the immense working majority faces into continued hierarchy, exploitation and polarisation, characterised by, among other things, ecological catastrophe, austerity without end, technocratic governance, nuclear annihilation, escalation of war... Compounding these dilemmas is our collective inability, real or illusory (I am not sure which), to construct an alternative future.

Today, it is easier to imagine the end of the world than the end of capitalism.  And yet. Something else is stirring. 2011 occasioned a shared, transnational impulse of ‘outrage’, ‘indignation’ and ‘enough’ against the cruelties of global financial institutions and the petty thuggery of enthralled states. The occupation of the world’s squares was simultaneously an impulse of ‘hope’, ‘solidarity’ and ‘the commons’, directed towards a dimly perceived yet somehow more just, more humane future. Tracking their emergence, evolution, fading, and re-emergence around the world – now in Cairo, then in Syntagma, here in Zuccotti Park, there in Puerta del Sol - Paul Mason, BBC journalist and author, has provided an insightful record and (somewhat more questionable) analysis of these revolts.

It’s a strange anomaly that anarchism is so marginal an idea in academia despite it being a major influence on contemporary social movement praxis, as well as having been the dominant proletarian ideology worldwide for decades leading up to the Russian Revolution.

One of the chapters in Wayne Price’s invaluable book is entitled ‘The Capitalist Epoch of Decline’ and it is hard to imagine that we are living in anything else. All of capitalism’s men are rushing around attempting to get the wheels back on the cart that is taking us ever-faster to hell. For many people at this stage it has become obvious that putting the wheels back on does nothing for the ultimate destination.

Kevin Higgins is a poet from Galway and a long-standing contributor to the independent left publication Red Banner Magazine. A former member of the Militant Tendency (now the Socialist Party), he has played no small part in making the world of writing a more accessible and pleasant place to be in this country – not least for those who don’t normally find themselves welcome in the hallowed, middle class halls of Literativille.

Czech anarchist, Anti-Racist and Squatter Jakub Polak passed away after a long term illness last week on Tuesday 25th September. Jakub Polák was born in Czechoslovakia in 1952. He became a political dissident as a teenager during the Prague Spring (1968). Because of his political activity Jakub wasn’t allowed to study in university. This made him even more involved in the various underground and dissident movement activities.

The new republican newssheet ‘The Proclamation’ produced by the Sean MacDiarmada Ardoyne branch of the republican umbrella group '1916 societies' exposes much of the contradictions implicit in the politics of the republican movement today. In the front page article it asks the question 'Where is Our Leisure Centre?'  The article goes on to contrast facilities in the working class catholic & protestant areas of Belfast.

‘We have taken a good path. As we see it, the formation of social study circles and the establishment of libertarian schools are solid, protective bulwarks in our race toward emancipation.  They are the groundwork of the great revolution.’ - La Protesta Humana, January 7th, 1900

As someone who moved from Irish republican socialism to anarchism, Kevin Bean offers a convincing and fascinating insight into the journey and demise of radical republicanism in Ireland. It demolishes the ‘sell-out’ narrative promoted by some quarters of disaffected republicanism by diligently exploring the rapid transformation of the Provisional movement from a counter-insurgency to an active partner in governing the state it now eagerly upholds.

I approached this film with a lot of trepidation, putting off watching it for weeks. Much of this was down to my being uncomfortable with boxing and fist-fighting of any kind - I just don’t enjoy watching people knocking the shit out of each other - but I was also uncomfortable about colluding with a project in which a settled film-maker would bring a settled audience to leer into Travellers’ lives. Such fears are not unfounded by any means. The media is full of such ‘Big Fat Racist’ selective framings of Travellers’ lives, served up weekly for the titillation of scoffing settled audiences. Will Ian Palmer’s 12 year labour of love prove to be different? Will he champion his subjects by turning his camera angle to break with our society’s pervasive and racist framing of Travellers as a problematic, and ultimately inferior culture? Or will he take the easy and well-worn path in the way that Channel 4’s “Gypsy Blood” did and grotesquely reframe Travellers (and Romanies, whom it doesn’t bother to differentiate from Travellers) as uncultured monsters?

In November 2011, the Fine Gael mayor of Naas, Darren Scully sparked controversy when he announced on national radio that he would no longer represent “Black Africans”, due to their “aggressiveness and bad manners” and their tendency to “play the race card”. Ultimately, the controversy caused by Scully’s blatant and unambiguous racism forced his resignation as mayor.